New Rock N' Roll Reality Shows
Mood:
chillin'
Topic: Some Shit I Might Like
Simon Cowell, anybody else not give a shit? I only watched the first episode of the first season of American Idol and, other than looking like one of those middle-aged attorneys who gels their hair and tries to pick up sorority girls at Daytona Beach during spring break, the limey Alan Thicke failed to elicit so much as a bored sigh out of me as I cracked open a can of Icehouse and felt the hour tick away. Granted, nobody was forcing me to watch it, and I’ll admit I was plastered to the screen because, fuck it, the Mayor’s gotta give his brain a little selfish “me brain” time. But still, it was the feeling of the world slowly turning, and age settling in that much more, and youth drifting away that much further. It hurt like taking a plantain sized shit.
I’ll admit, however, to being amused by one aspect of the brit who equates charisma with body spray; the fact that he’s going to get snarky and indignant over music is one thing. There’s nothing wrong with that. If you came of age flipping through, maybe, Your Flesh or Motorbooty, or if you date back even further to Creem or Punk’s heyday, or MAD’s, or if you’re really old, or dead, and had a chuckle at HL Mencken, or if you’re really, really super dead and read Ambrose Bierce, then you recognize that well aimed shittiness is, indeed, a true and fine art.
What made Cowell mildly entertaining, to me anyway, for an hour, was that he got snarky and indignant in defense of music that sounds like it was created in a boardroom and pretty much blew to begin with. He seems to be fighting a one man holy war to keep sacred the holy hymns of glitzy, late century negro divas and oily vanilla crooners and lithe, nubile NAMBLA bait. Honestly, I remember him ripping apart one poor girl for apparently mangling what he called One of His All Time Favorite Songs Ever. That song? Whitney Houston’s hookless opus, I Will Always Love You.
Anyways, the result of this exercise in partisan viewership is that I haven’t much bothered with most other music based reality shows, save part of one episode of the White Rapper Show. That means no Making the Band, no Band on the Run, no…well, I just can’t think of any more, so fuck it. I haven’t lived in a house that has had cable for years, so my VH1 viewing has, perhaps unfortunately, tapered off drastically.
Thing is, I think maybe the twin institutions of Rock N’ Roll and Reality TV might make fitting bedfellows for a casual fling or two. All it would really take is a true spark of inspiration. Luckily for all, the Mayor just so happens to carry around a flint stick.
So, here are some of my no less than super- brilliant ideas:
Rehab Follies- This show follows rock stars of all stripes, from grimy grunge era and hair metal throwbacks like Scott Wieland to former indie kids who got caught up living the lifestyle like…I dunno, go to Austin and you can probably just pick somebody at random, as they go through addiction, rehab and possible relapse. Suspense builds as, after having spent weeks to months in a hospital or detox facility, they attempt to resume their musical endeavors only to have their bandmates goad them with, “Man, come on, you can have one beer can’t you?” Hilarity ensues as the rehabee repeats his downward spiral.
Breaking Up the Band- In which a female is sent in to seduce one or all members of any given band, stroking egos and setting them against each other. Inter-band tensions are further aggravated by the varied opinions of rock journalists, label AR people, coke dealers, and numerous other hangers-on.
The Cut Out Bin- In which a panel of judges- one of them should probably be Mark E. Smith- watches a series of bands and decides who gets to go on to the next round and who gets their instruments taken away from them and sent to the business school of their choice.
The beauty of it is that you get judges who just can’t stand anything, and everybody who appears gets their instruments taken away. Because, dammit, there’s just too many bands.
SuperFans!! The Wedding Crashers Edition- Based on a practical joke I’d read about in which a group of people would go to see nobody bar bands wearing homemade t-shirts and acting as though the band were returning conquerors. In the wedding crashers edition, the SuperFans crash wedding receptions, chant “So Good!! So Good!!” and demand to hear Sweet Caroline over and over and over again. Rioting ensues when security attempts to throw them out.
HandiBand, the Making of an Outsider Artist- In which people of various physical, emotional and developmental disabilities are turned loose in a recording studio full of varied instruments.
Every episode ends with a battle of the bands, in which a bunch of horn-rimmed indie kids decide who goes on to the semi-finals to become the Ultimate Outsider Artist.
The Littlest Band- They’re midgets…I mean, Little People…and their in a band! Imagine the possibilities!!!
Posted by themayorofrock
at 12:54 PM EDT
Updated: Friday, 13 April 2007 1:01 PM EDT